2018. With Terrill’s drums and special British guest Alec Dankworth’s bass setting out the introductory pattern for ‘Jabula’, followed by piano interjections and then a conversation with the horns, this is music as joyous and extrovert as anything in Ibrahim’s long list of recordings. But Mehldau tackles it from an interesting alternative perspective, honed from several years absorbing religious texts. Each piece has its own pleasures: above all, there’s a sense of a fine project properly realised and accomplished. Start your journey and discover the very best music from around the world. Photo illustration by Slate. For the most part, the tracks on drummer-composer Antonio Sánchez’s Lines in the Sand suggest scores for imaginary films, drawing from his experience writing the score for the 2014 film Birdman.In some cases, he also builds upon ideas from his previous album, 2017’s Bad Hombre. Naturally, it helps to have Petra Haden on board. But the real stars remain Almazan and a rhythm section of Linda May Han Oh and Henry Cole, who shift through styles and standout turns with grace. 0208 677 0012, © MA Music, Leisure & Travel Ltd The heads-playing is occasionally a little ragged (though in an Ornette/Cherry good way), but this is a meeting of hearts and minds. Here’s what you need to know. “Abuse of any kind has no place in any relationship,” Dita Von Teese, burlesque entertainer and Marilyn Manson’s ex-wife, wrote in a statement Wednesday. London, SE24 0PD. Dulwich Road, Another year of great music is in the books. ‘How Deep Is The Ocean’ kicks the collection off with a glossy masterclass in fresh lyrical invention and canny accompaniment, an eagerly impulsive ‘Work’ and a languid ‘Crepuscule With Nellie’ celebrate Corea’s affection for Thelonious Monk (and also his partners’ adroitness at the rhythm-juggling it invites), favourite Corea originals like ‘500 Miles High’, ‘La Fiesta’ and ‘Now He Sings, Now He Sobs’ are given freewheeling makeovers, and a throbbing and increasingly urgent account of ‘All Blues’ typically develops a high-stepping, dancelike feel that distinguishes it from its brooding source. The year in entertainment: 2019’s best movies, music, TV shows, games and more. ... Albums Best New Albums Best New Reissues 8.0 ... Patricia Brennan; Maquishti. 5. Weather reports were a jazz … Red lights! November 2018. In a rebuke to Newsom, Supreme Court says California’s ban on indoor worship violates the Constitution’s protection of the free exercise of religion. October 2017. ‘Cianna’, also by Calderazzo, is slowish, but has one of those themes you feel you’ve heard before, it so insidiously becomes an earworm, with Branford on tenor this time. Look no further than the title. The greatest fusion album of all time, one of the best-selling jazz albums, and an alternative soundtrack to 1977. Dec 05, 2019 5:45 AM. Fabian Almazan Trio, “This Land Abounds With Life” (Biophilia)A longtime collaborator with Terence Blanchard, this Cuban-born jazz pianist evokes the natural splendor of his home country with occasional field recordings of birdcalls, distant orchestras and spoken word (most vividly on “Songs of the Forgotten”). When the Ducks opened the 2020-21 season Jan. 14 “Bro Hymn” began its 15th season as the Ducks goal song, making it one of the longest used goal songs by an NHL team. Subscribe now to see all of our writers' Top 10s as well as the full Reissues/Archive Top 20 and all of our seasonal subscription offers by visiting www.magsubscriptions.com, Branford Marsalis, (ss, ts), Joey Calderazzo (p), Eric Revis (b) and Justin Faulkner (d). One t… It’s an ambitious proposition and it’s not that everyone’s not knocking Trump. Harrison’s ‘Float, Flitter, Flutter’ allows Collins to show his Hubbard-like inclinations and Gillard to solo affectingly, the hauntingly, hymn-like ‘Look Ahead’ written by Collins for his son quite sublime. The Branford Marsalis Quartet (left to right: Marsalis, Justin Faulkner, Eric Revis, and Joey Calderazzo) made the best jazz album of 2019, according to JazzTimes‘ critics. Dedicated to Billy Childs, the three-movement album opener ‘Beautiful Is Our Moment’ features some of Simcock’s most exuberant, joyous writing, with its elegiac coda providing the final surprise. Classic indeed: but nary a note of nostalgia. Such longevity leads to the production of remarkable thematic projects. The Oracle was one of a slew of jazz-adjacent 2019 albums that utilized voices without really touching on anything resembling conventional jazz singing. Dec. 11, 2019 … Ten original, wildly different tunes are buoyed by a band of young London Turks including guitarist Rob Luft and double-bassist Misha Mullov-Abbado, who play, tease and solo their way through the likes of the eponymous opener, in which Zawadzki’s clarion voice tells of regeneration and rebirth; a bittersweet, time-bending ballad, ‘Keeper’, and a long psychedelic instrumental suitably titled ‘Twisty Moon’. July 6, 2020 | by Rusty Aceves. If anything, Martin’s reworking of Pat Metheny’s ‘Timeline’, for which she has penned new lyrics, is even more spectacular, with her control of the rapid-fire melodic line a thing of wonder. Ricky Powell, a quintessential New Yorker whose point-and-shoot photos of the Beastie Boys and Run-D.M.C. Jazz seemed to be all over the place this year — and that was a blessing. ‘Conversation Among The Ruins’ (written by Calderazzo) has not only a dazzling piano solo but some delicately poised playing from Marsalis on soprano that isn’t afraid to explore beauty and melodic richness. There’s a contrast with the slightly otherworldly ‘Tuang Guru’, where Jackson (who played cello on ‘Jabula’) resumes his regular place on bass and underpins the movement of this work from the back catalogue with nimble rapid-fire bass-lines. Ricky Powell, streetwise photographer who captured NYC hip-hop’s golden age, dies at 59. If a performer was the focus of a major feature, it’s likely their album wasn’t reviewed, and accounts for its omission from the list below. Great swaths of this music still swing like Count … Clockwise from … The 10 Best Jazz Albums of 2019 by Jeff Terich. Tomeka Reid Quartet, from left: Tomeka Reid, Tomas Fujiwara, Mary Halvorson and Jason Roebke. 2018. The SEED Ensemble is another permutation of the London scene’s currently omnipresent players, and their individuality is crucially encouraged. Moreover, he is in the producer’s chair and his programming and effects bring additional nuance to the mix, filtering and thinning out a vocal to make it a touch more wistful, or drawing a sensual digital muffle over some of the synthesizer parts. A more aggressive ‘voice’ of the mob chants ‘Build That Wall!’ on ‘The Prophet is a Fool’, Mehldau’s most direct resistance to Trump-ism. Thursday, November 21, 2019, The ultimate guide to the year's best new jazz albums as voted for by Jazzwise's peerless panel of reviewers – including the complete original Jazzwise reviews. ‘Pitter Patter’ has echoes of Chick Corea’s Return to Forever, but with none of the pyrotechnics, while the farewell ballad ‘Homegrown’ flickers out with a melancholic earworm worthy of EST. The fourth installment in Matana Roberts’ ambitious meditation on African-American history and folklore focuses on the city of Memphis “unlike a place I have yet 2 know”, according to the artist. If this isn’t a candidate for record of the year from many reviewers, I’ll be very surprised. John Fordham. But you can bet he’ll be telling a story. Nor is this all Frisell: ‘Red River Valley’ is done a capella; some treatments are straightahead, and are the more emotionally direct for that: ‘God’s Wing’ed Horse’ is breathtakingly beautiful, while others, like the climactic ‘Where Have All the Flowers Gone’ is re-visioned deep, dead and blue, with no escape from the minimalist chording. We count down the best albums of 2019, from Lana Del Rey's 'Norman Fucking Rockwell!' AllMusic has assembled our Best of 2019. The Best Albums of 2019 Plus the best songs. Though electro-jazz drummer Mark Guiliana powers the set, Finding Gabriel isn’t Mark II Mehliana, their retro-to-future synth-driven duo of 2014’s Taming the Dragon. While a grand scale of ideas has become one of AEC’s signes particuliers the group also excels on folk-like laments, such as the popular ‘Odwalla’, the reprise of which is as affecting as ever. Olivia Rodrigo sings ‘Drivers License’ live for first time. Rec. Rec. The sound is highly effective when cast against combinations of upright bass, guitar, brass and reeds. Avishai Cohen’s ballad ‘The Opening’ has a Bill-Evans-meets-Abdullah-Ibrahim piano intro and a wistful, tone-shifting melody, and Coltrane’s ‘Crescent’ is a trumpet soliloquy of soft ascents, octave-hopping strides and airy top notes. Her very DNA combines both jazz and country heritages. Drawing on material old and new, the group makes a strong, uplifting statement for artistic conviction as well as social and political justice, as made explicitly clear by Moor Mother’s impassioned, rabble-rousing call for resistance and victory on the title-track. Though Cassie Kinoshi is fully aware of 1960s American civil rights suites such as her alto icon Jackie McLean’s It’s Time!, they didn’t directly influence this debut, with its distinctly British roots and concerns. Fox News cancels Lou Dobbs’ show; pro-Trump host not expected to be back on air. Rec. Wondering about how to get your second dose appointment? The Best Jazz Albums Of 2019. With her core quintet, in which guitarist-fiddler Hannah Marcus stands out, being joined by an array of guests that also includes four vocalists, the music, in lesser hands, could easily have become overblown if not diffuse. The rebirth of cool has seen a massive spike in young jazz audiences, with Spotify revealing that 40% of jazz listening is done by people under 30.This is all thanks to the daring, urgent, and often politically minded genius of the artists below. As well as singularly beautiful versions of the Ivan Lins classic, ‘Love Dance’, vibist Joe Locke’s Bobby Hutcherson tribute ‘A Little More Each Day’ and the Gordon Jenkins/Johnny Mercer standard, ‘P.S I Love You’, there are deeply swinging takes on Curtis Lewis’s ‘The Great City’ and Roc Hillman’s ‘Come Runnin’ (Martin’s own homages to Shirley Horn and Lena Horne respectively), there are stellar re-imaginings of Joni Mitchell’s ‘You Dream Flat Tires’, Michael Franks’ ‘Rainy Night in Tokyo’, plus John Surman and Karin Krog’s enchantingly folk-like ‘Cherry Tree Song’. Bugge Wesseltoft, for his jazztronica innovations with his New Conception of Jazz and Berglund and Öström for their contribution to the highly influential EST, the piano trio that gave birth to a million other contemporary Euro-jazz piano trios. Rec. Published on November 13, 2019 And within its catchy, funky setting, this track manages to combine moments of improvisational freedom, perfectly demonstrating why this is one of the most compelling live bands on the planet. A cornucopia of delights. His three solo improvisations offer a very different level of emotional depth, being introvert and involving. Nicole Mitchell (f, piccolo, b f), Tomeka Reid (c), Dudu Kouaté, Enoch Williams, Tito Sompa (perc), Moor Mother, Christina Wheeler (v, poetry) and Stephen Rush (cond). There’s no sterility here, and no sense of anything being curtailed. Peter Quinn, Enrico Rava (t), Joe Lovano (ts, tarogato), Giovanni Guidi (p), Dezron Douglas (b) and Gerald Cleaver (d). 2019. Selwyn Harris, ➜ Read our Brad Mehldau interview: “Playing written music, even my own, is completely not in my comfort zone, and might never be”, Claire Martin (v), Martin Sjöstedt (p), Niklas Fernqvist (b) and Daniel Fredriksson (d). Lovano plays a shapely tenor break of soft split-tones and rumbling bell-notes on Rava’s steady-swinging ‘Secrets’, and the latter accompanies Giovanni Guidi’s superb Hancock-to-Jarrett solo in deep exhalations, like a trombone. Experimental; Jazz; by: Daniel Felsenthal; January 19 2021. (photo: Eric Ryan Anderson) By Fred Kaplan. Best jazz albums of 2019: A year rife with invention and resistance Best jazz albums of 2019. After a five-year absence from the studio, following his last records for the Intuition label, and now aged 84, would Abdullah Ibrahim’s new venture with Gearbox Records match up to the high standards that he set years ago with this band of African and (mainly) American musicians? View reviews, ratings, news & more regarding your favorite band. Janisch has long been a gifted player whose command of electric and acoustic bass has seen him work in a wide variety of settings, but this new songbook draws a coherent line through groove, swing and avant-garde sensibilities without sounding stilted. Kevin Le Gendre, Theo Croker (t, elec, v), Irwin Hall (as, f, bcl), Kassa Overall, Eric Harland (d), Eric Wheeler (b, eb), Michael King, Eric Lewis (p, org, keys), Rose Gold, and Chronixx (v). Wesseltoft is really at home here, creatively shifting around sci-fi like synth-centred soundscapes, tastefully funky Fender Rhodes and meditative acoustic piano. (Peter and Maria Hoey / For The Times) By Chris Barton. This is Frisell in his purest, Johnny Smith mode: a tone to die for and a collaborator in Morgan who is mindful of each and every Frisellian twist, turn and harmonic finesse. Resulting in their 9th Grammy Nomination for Best Jazz Vocals. Damon Locks Black Monument Ensemble, “Where Future Unfolds” (International Anthem)“Some things never change like monuments,” goes one passionate, agitated refrain in this performance, which was recorded live in Chicago last year. 2016-2019. St. Judes Church, After all, last year revealed the first set of unheard John Coltrane music in decades. County by county, here’s how to get a COVID-19 vaccine in Southern California. Perhaps most impressively, Croker has also edited performances so that the 10 tracks make a running time under 45 minutes – one side of a trusty C-90 – so the material is well paced towards the climactic closer ‘Understand Yourself’, which has an imperious, strikingly conscious vocal from Jamaican reggae sensation Chronixx. 7. The composer Steve Lehman at Zankel Hall on April 6, 2018. This follow-up to Simcock’s Mercury Prize-shortlisted 2011 ACT debut, the brilliant Good Days At Schloss Elmau, was penned primarily on the road while the pianist was touring the world as part of the Pat Metheny Quartet.