The entries are listed in alphabetical order, and include several releases that also appear in our overall list of the year’s best albums. Girls: Heavy Light 14. Through it all, clearer-than-ever proof emerges not just of a great band in stride, but a cultural fact: women continue making the most vital rock music now. Infinite worlds are contained within the threads of that teal yogurt shop shirt and that infamous cardigan, carving a path for the Taylor Swift Cinematic Universe to expand ever onward. Each element, shorn of everything extraneous, glows with significance. All articles filed in pitchfork best albums 2020. Somewhere in these melodic tantrums, drudgery becomes liberation. 关注. Top 50 Albums 11/12/2020 Esquire Getty Images. Let’s face it: listening to new music wasn’t exactly easy this year. These are the best rock albums of 2020. From the motorik chug of “Saturnine Night” to the suave flute-led jazz pop of “Devil’s Market,” she renders familiar sounds with such style, character, and attention to detail that you might as well be hearing them for the first time. “If this is all that we get, so be it,” Kempf insists, a bit of wistful resignation that doubles as a mission statement for their proudly stripped-down approach. This year, it felt like a serenity prayer. October 2, 2020. –Amy Phillips, Historically, there are two trajectories from sweetie childhood star to flawed adult: the bumpy one full of high-profile foibles or the one where they wind up as robots. The album is the first project between only Gibbs and The Alchemist, as it also marks the second time they have collaborated on a full … Ad Choices, The albums that got us through this chaotic year, featuring Fiona Apple, Bad Bunny, Lil Uzi Vert, Phoebe Bridgers, and more. His observations are modest and sweet (“just sing your silly song”), just enough to nudge you away from doomscrolling. The vibe is calm and bittersweet, as Navy Blue sinks deep into the recesses of his mind. He basks in the band’s jubilant orchestrations, but also uses them toward more complicated ends. –Jeremy D. Larson, The internet has plenty of playlists full of pillowy background noise, built for tuning out while you dig into the task at hand. With this intimate hospice of a record, Allison gave us both. –Colin Lodewick, In 2019, Chicago indie rock trio Dehd released the sparse and scrappy album Water, with songs informed by the romantic breakup of bassist Emily Kempf and guitarist Jason Balla, accompanied by Eric McGrady’s one-tom, one-snare minimalism. But the best albums of 2020 proved that incredible new music will always make their way to our ears, even in the toughest of times. Killer Mike’s verse on “walking in the snow” offers a particularly stop-you-in-your-tracks moment, as he raps, “And you so numb, you watch the cops choke out a man like me/Until my voice goes from a shriek to whisper, ‘I can’t breathe.’” Alongside production that subtly expands the Run the Jewels sound, the duo offer more insight into the modern American psyche than any cable news pundit could hope to muster. With an androgynous voice that shifts to suit her mood, Hwang effortlessly drifts from mid-2000s O.C.-core power pop to cocktail-lounge R&B, but seems most at home crooning atop her stratocaster’s airy twang, drenched in reverb. –Sam Sodomsky, On Eternal Atake, Lil Uzi Vert employs an extraterrestrial concept that should be kitschy—in the album’s trailer, he’s jetted into the cosmos in a saucer the size of a city block by a humanoid cult—but instead lends the LP an intergalactic sheen. Graphic by Drew Litowitz, photos via Getty Images. The song is accompanied by a short story about a woman, three cats, and the titular bush has shared a new song titled “rosebush.” The largely … We’re left to sit alone and imagine what these songs should be doing. It is a testament to Dylan’s spectral presence as a singer, and the sympathy of his accompanists, that the uptempo tunes often seem as misty and elusive as the slow ones. This music invites friends to wade in its relief, conjuring an aura of lush abundance amid solitude: Shore’s opening moments are ceded to 21-year-old newcomer Uwade Akhere, who murmurs about summer passing into fall, and loving with a violent passion; later on, over 400 recorded voices, solicited by Pecknold over Instagram, swell in the chorus of “Can I Believe You.” As Pecknold reaches his mid-30s, he leaves behind the fidgeting anxiety of youth. Top 50 Albums Consider The Angel You Don’t Know proof-of-concept of an alt-afropop offshoot, destined for a global audience without sacrificing its cultural roots. –Quinn Moreland, Like the modern conditions it reflects, No Home’s music holds unavoidable ugliness: Each song is an anxious, staticky shudder. The most revelatory sound Haim make room for on Women in Music Pt. In the summer of 2011, Pitchfork noted Bon Iver's self-titled release as "Best New Music", and later chose the release as the best album of 2011. Alongside a new backing band, after losing the other original members to mandatory military service, she questions a young, freethinking artist’s place in a society that expects deference and decorum. The album is always enchanting and full of small surprises: the particularly cartoonish warble of a synth on “Sayonara,” the intimate binaural hums on the meandering “Marafon 15,” the burst of laughter answering the lure of a saxophone on the cosmos-traversing “Plans.” New details peek out on every listen, like elements of wonder waiting to be discovered. Pitchfork's 35 Best Rock Albums of 2020. Death and apocalypse lurk in every corner of Punisher—lightning flashes, sirens wail, a Giants fan gets killed at Dodger Stadium—and Bridgers shuffles through this ominous fog, still alive, still growing taller. Pitchfork may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. You air-drum the little hitch in “Fox” again and again across your steering wheel; you throw your chest forward in your home-office at all the perfectly executed half-time breakdowns; you do isometric lunges while Stoitsiadis sings about disintegrating. Prior to his death, he … Over the next month, we'll be collecting year-end top 10 album lists from over 200 music critics, publications, record stores, and other sources. Check out all of Pitchfork’s 2020 wrap-up coverage here . “Rainmaker,” a resurrected anthem about a leader whose charismatic deceptions win over a desperate populace, somehow predates the Trump administration—a reminder that our stormy era is not an aberration, but a culmination. –Eric Torres, © 2021 Condé Nast. By Olivia Ovenden. Wi-Fi is the skulking antagonist of Lost in the Country, Dave Benton’s second full-length album of rangy indie rock as Trace Mountains; the former LVL UP singer looks down onto miles of forest and briefly grasps the world as “only violence and smartphones.” Benton sings with his hands in his pockets, musing folksily on black rivers and black dogs. A married mom in her mid-30s, Ware is still able to capture one of nightlife’s great gifts—the exhilarating thrill of being single, looking out onto a packed dancefloor, and seeing the possibility of magnetic attraction. So as she thrashes between anti-capitalist bops and introspective anthems, Sawayama assumes the role of both pop diva and pop rebel, subverting expectations of what the genre could and should stand for. The Sunlight Mound - Psychedelic Porn … Wow! Traditional structures melt into long vamps, as on the tormented psychedelic ballad “Kerosene!,” which distills the album’s beguiling agony. All rights reserved. –Jessica Kariisa, Room for the Moon feels like a safe place to hide from mounting anxiety. 8 reviews. Graphic by Drew Litowitz, photos via Getty Images. The punk quartet mocks capitalism and the patriarchy across this 13-minute self-titled release, each brief song its own fierce declaration of autonomy. But in her instrumentation, she reaches for organic matter, sometimes painstakingly: Grimes meticulously tweaked acoustic guitar loops on “Delete Forever,” layering actual violins and banjo until they recall a post-apocalyptic campfire song. –Andy Cush, Produced while Drakeo the Ruler was awaiting retrial in Los Angeles on a bogus gang charge, Thank You for Using GTL is punctuated with robotic warnings from the extortive inmate phone service over which it was recorded. Good Woman - The Staves. Pitchfork: The 50 Best Albums of 2020 [see also 2010s , 2019 , 2018 , 2017 , 2016 , 2015 , 2014 , 2013 , 2012 , 2011 ] Fiona Apple — Fetch the Bolt Cutters Chet “JR” White, the bassist and producer best known for his work in the band Girls, died in October 2020 at age 40. The album reflects her newfound ease, all big skies, wide open spaces, and Americana twang. On the slow-burning “It’s Lomelda,” she croons off a list of her musical heroes and their work, from Yo La Tengo to Frank Ocean to Sufjan Stevens’ devastatingly spare “The Only Thing.” She turns a conversational bit of advice into a soaring mantra on “Wonder,” repeating the phrase “When you get it, give it all you got, you said” across vocal peaks and valleys. He sounds possessed here, supercharged by something supernatural—even when he’s just shouting a luxury brand’s name into the ether 15 times in a row. Gordon’s howls are hell-bent and infatuated, with Tumor’s raspy pleas pushing them both closer to the edge of oblivion. –Madison Bloom, Ka has spent his 40s laboring over how to animate the ghosts of his home. –Allison Hussey, From her early punk recordings alongside sister Allison to her quietly devastating solo albums, Katie Crutchfield is always steadfast in her truth. What’s Your Pleasure’s adrenalizing disco, electro-funk, and deep house are indebted to the pulsing eclecticism of defunct queer nightclubs like the Paradise Garage and the Saint: The title track recalls New Order’s early ’80s cyborg funk, while “Read My Lips” pays homage to R&B group Full Force’s muscular rhythm tracks of the same decade, and the sparkling arpeggios of “Save a Kiss” evoke Robyn’s yearning 21st-century electro-pop. Amidst the neverending whirlwind of 2020, it was tempting to crawl into a cocoon of nostalgic favorites and never come out. Pitchfork is the most trusted voice in music. Now, Crutchfield gazes into the mirror and doesn’t shy away from the reflection. The fact that Melee conjures a year so different from the one we got is part of why it leaves such a mark: The histrionics of emo aren’t just dramatic, they’re now science fiction. Have We Met leaves you to wonder: Is Bejar the cagey proprietor of this dream world or the disoriented guest? In the companion short film, he accompanies his thoughts by flipping through hundreds of old photos, adding bittersweet visual cues to the rambling narrative. Sundry Rock Song Stock, either the second or third album under the Yves Jarvis name (it’s complicated), is also the project’s first set of 10 conventional-length tracks. The Chicks dropped “Gaslighter”—the title track of their first album in 14 years—on March 4, shortly before 2020 went all the way up in flames. (“Percy Miller, ‘bout it ‘bout it, ‘bout the dough/Macarena to the money after shows,” she sings on single “Fancy.”) And yet, maybe improbably, she synthesizes wide-ranging references into a genreless style that could very well be predictive of a post-Spotify moment. “You girls mean business,” he bellows to two “fleet-footed guides from the underworld” on the swaggering “False Prophet.” “And I do too.” –Andy Cush, In a year of isolation and unattainable intimacies, Perfume Genius’ Mike Hadreas is our poet laureate of constant longing. The result was her truest, wildest record to date—the kind of album that borders on literature in its ability to convey nuances of the human condition. Below, find the results, and compare them to Pitchfork’s own list of the 100 best songs and 50 best albums of 2020. In February, it was a memorable yet conventional 20-track Atlanta rap album. –Allison Hussey, Magik Markers distinguished themselves in the early 2000s with unfettered noise jams and a merch table so teeming with CD-Rs, tapes, and LPs as to render the idea of a coherent discography faintly obsolete. Afrobeats is a prime example of the future-pop that actually transpired, a hyper-digital sound far easier and oozier on the ear. On Fantasize Your Ghost, the Chicago band further explores this craggy terrain, with detours into noisenik squalls, Krautrock grooves, and chamber-pop delicacy. Pitchfork: The 50 Best Albums of 2020. –Ivie Ani, The warm, gracious folk on Shore seems to materialize from an alternate universe where there are no storm clouds or push notifications. Despite physical concerts and touring being thrust into futility, 2020 will still go down as a stellar year for music as acts like Taylor Swift and Fiona Apple made their mark with career-best projects. Inner Song is club music at its most spiritual. Putting that lens to the side, his stories about the ease of embracing hate (“Solitude of Enoch”) and post-prison families (“Unto the Dust”) are just as gripping and vivid. As his acoustic guitar pulses forward and the details pile up, Elverum gestures toward a deeper, universal history: Look long enough, and you might see yourself in the photos. Her mother’s terminal illness and her own struggles with depression appear in a wintry synesthesia of yellow, blue, and gray. (All releases featured here are independently selected by our editors. Over airy guitars on the somber “Pop Song,” she exposes her least flattering attributes: a rotten core, a bitter disposition. The pianist and multidisciplinary London artist’s work skirts conventional disciplines, tinkering with the very concepts of “jazz” and “club” music as it synthesizes a substitute. Rough and Rowdy Ways can be approximately divided into two types of song: the ballads, which nearly evaporate as you listen, and the more conventionally rocking blues-based numbers. “I have a gift, I’ve been told, for seeing what’s there,” she sings on “The Eye,” and her perspective has never sounded so clear. With Saint Cloud, Crutchfield’s fifth album as Waxahatchee, she climbs to solid ground, emerging from the storm self-assured. 184 votes, 142 comments. Songwriter and bandleader Meg Remy reckons with alienation and injustice, drawing on a palette of pop, rock, and experimental sounds to convey the anxiety of the era. Where on his debut album Sumney lingered on lack and absence, on græ he delivers effulgence and multiplicity with a shapeshifting swagger. Singer-guitarist Miranda Winters calls out from murky depths, conjuring memories of loss, anxiety, frustration, and occasional bliss. –Ross Scarano, Megan Thee Stallion’s official debut album is a triumphant joyride that more than fulfills the promise of its title. Language has been central to Angus Finlayson’s work in music. –Eric Torres. The album soars when Megan nods to the greats of rap and R&B, from a jolly rework of Juvenile to the Jazmine Sullivan-indebted bad bitch anthem “Circles.” More than anything, these songs remind us that even when the worst comes to pass, good times might be right around the corner. Much like Sufjan Stevens in the songs of Carrie & Lowell, Allison ventures into the tundra of her despair and emerges with an unsparing and unsentimental account of survival. Pitchfork once named Pavement's Gold Soundz as the top song of the 90's. The wintry decay that initially clouds the album disintegrates on “Garden Song,” where the arrangement blooms and burbles, thumping steadily, like a walk home in crisp evening air. 88. But there’s something undeniably hardcore about the energy, earnestness, and intensity with which Lament comes roaring out of your speakers. While some vocal lines emulate pulsing bass and celestial synth, the prevailing current is a surging chorus of near-language, struck through with the unmistakable trembles and notches of a human voice. In 13 Lists. –NM Mashurov, Rina Sawayama’s debut album is unafraid to present all of her paradoxes. Not every song is so topical, but all are similarly burdened by history. If nothing else, Bob Dylan’s 39th studio album should forever put to rest the idea that the storied songwriter is losing his voice. –Madison Bloom, Hannah Read can make a melody out of anything. GTL is a technical marvel as well as a creative one: producer JoogSZN’s beats retain their funk and low end while making space for Drakeo’s vocals, which come through impressively crisp. The Latest Juice December 31, 2020 December 31, 2020. Using only her transmuted and multi-layered vocals, the Berlin-based composer creates a dense architecture where choral music and meditative techno meet. From albums … On standout track “THC,” the band slowly cranks up the tension until it erupts into an onslaught of guitar fuzz. Twice as Tall triumphs not so much for its substance but as a shimmering surface, a landslide victory for the politics of pleasure. The 10 Best Albums of 2020. Artists like Soccer Mommy and Porridge Radio expressed a distinctly 2020 sense of isolation in prescient albums recorded before the pandemic, while raging punk bands like Dogleg and Soul Glo summoned the catharsis we all hope to feel when we can attend live shows again. Charlie Valentine, who operates No Home as a one-person band, can sing powerfully, as on “Exile,” but more often their voice is unpolished, punctuated by low moans or painful stabs of feedback. On the slow-burning “It’s Lomelda,” she croons off a list of her musical heroes and their work, from Yo La Tengo to Frank Ocean to Sufjan Stevens’ devastatingly spare “The Only Thing.” She turns a conversational bit of advice into a soaring mantra on “Wonder,” repeating the phrase “When you get it, give it all you got, you said” across vocal peaks and valleys. The New England trio led by singer/guitarist Elisa Ambrogio has slowed down and tightened up considerably as of late. Equal parts meticulous and haphazard, the self-directed songs pick up on the percussive thread of 2012’s The Idler Wheel… with elemental rhythms formed, in part, by handclaps, floorstomps, and furniture-banging. The napkins might be white linen but nobody’s using them. 11/12/2020 Esquire Getty Images. One day after Pitchfork published their list of the top 100 songs of 2020, they've shared their list of the 50 best albums of the year. Music reviews, ratings, news and more. It’s both the country album she was destined to make and an acknowledgment that self-acceptance is hard-won; Saint Cloud reckons with addiction, sobriety, imperfect romance, trauma, and trying to navigate it all. Róisín Murphy: Róisín Machine 16. On their fourth album, Tumor is smoldering and romantic, expressing their appetite through squalling guitar solos, slinky basslines, and an ensemble of guest singers who match their lusty fervor beat for beat. Let's face it: listening to new music wasn't exactly easy this year. Use of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21) and Your California Privacy Rights. “Last Man Standing” describes a musician packing up his instrument alone onstage at the end of the night, a poignant metaphor for the twilight of a performer’s career. So she built one via her fourth album, how i’m feeling now. The droll, phantom-like singer writes music for faithless burnouts who still want to believe: lost souls clinging to astrology and fucked-up intimacy, striving to get by in a brutal universe with no pre-ordained meaning. The 50 Best Albums of 2020(Pitchfork) 来自: indiechild (北京) 2021-01-01创建 2021-01-01更新 一直对pitchfork的选辑表示疑问,list里倒是有几张和我今年的重合。 推荐. Ambient. Singer-songwriter Alex Stoitsiadis was supposed to be hollering his hooks over melodic post-hardcore guitars in roiling 250-cap clubs, and the scenes of heartbreak he described were supposed to be playing out for listeners in real life. As Valentine describes it, it’s also darkly funny: a catalog of irrepressible humanity, surviving and thumbing its nose in the face of cultural judgement and capitalist enforcement. 08 December 2020 Pitchfork: The 50 Best Albums of 2020 [see also 2010s, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011] Fiona Apple — Fetch the Bolt Cutters; Waxahatchee — Saint Cloud; Moses Sumney — Græ; Phoebe Bridgers — Punisher; Perfume Genius — Set My Heart on Fire Immediately; Bob Dylan — Rough … The 35 Best Rock Albums of 2020 Pitchfork. Music reviews, ratings, news and more. Amaarae: The Angel You Don’t Know 18. The most exciting and important new albums being released today. Above is Metacritic's list of the 40 best-reviewed albums of 2020, ranked by Metascore. He isn’t pining for the good old days; he is reacclimating himself in the present, poking holes in the very idea of nostalgia and showing how memories live on. Her fifth album’s title is a personification of the anthropocene, a theorized geological epoch in which civilization provokes its own destruction via climate crises. As on 2017’s No Shape, producer Blake Mills reveals the music with startling clarity and subtlety, bringing out lifelike strings and trembling synths through sound design as much as conventional production. These instrumentals lend a “sense of comic relief,” Allison says, “like when you joke with your friend about your unhealthy habits.” In a year when hundreds of thousands of Americans perished, we needed friends desperately—someone to make us laugh, and someone to sit with us at shiva. Inner Song’s palette of pulsing basslines, swirling synths, and visceral found sounds draws influence from the practices of the sound-healing community: sound baths, shamanic drumming, and voice work. –Evan Minsker, Grimes embodies the unhuman on Miss Anthropocene. When you buy something through our retail links, however, Pitchfork may earn an affiliate commission. Her glittering debut, The Angel You Don’t Know, features waist-winding afropop rhythms; bouncy, avant-pop melodies; experimental modulated vocals; and playful lyrics as Instagram-ready as any artist this side of Drake. ), Listening to Mary Lattimore’s Silver Ladders feels like blinking awake on New Year’s Day: There’s some melancholy over what has passed mixed with buzzing wonder at what lies ahead. Like all of Touché Amoré’s best work, Lament has a therapeutic quality, sublimating even the knottiest emotions into glorious catharsis. On his second album of 2020, the underground New York rapper reaches a new level. As ever with late-period Dylan albums, death lurks in every corner: as a prompt for bloody, Frankenstein-ish experiments in “My Own Version of You,” a red river to be traversed in “Crossing the Rubicon,” a body who shares his bed in “I Contain Multitudes,” a nameless rival in “Black Rider.” The gravity of Dylan’s voice and the clarity of his vision allow him to address these wraiths as an equal, one with intimate knowledge of the darkness they inhabit. –Stephen M. Deusner, Listen/Buy: Rough Trade | Apple Music | Bandcamp |  Spotify | Tidal, Recorded in secret in quarantine and unleashed upon the world with less than a day’s warning, folklore was the first Taylor Swift album untethered from the traditional expectations of a blockbuster release. Traditional structures melt into long vamps, as on the tormented psychedelic ballad “Kerosene!,” which distills the album’s beguiling agony. –Anna Gaca, Phoebe Bridgers will tweet about eating ass with one hand and crush your heart with the other. Search query All Results. –Madison Bloom, Listen/Buy: Rough Trade | Apple Music | Bandcamp |  Spotify | Tidal, Before Se So Neon settled on Nonadaptation as the English title of its second EP (비적응 in the original Korean), frontwoman Hwang So-yoon referred to it as Maladaptive. 全部 (50) 按添加顺序查看. But the Korean title of this album means that you're sort of unwilling to adjust.” In a music industry dominated by world-conquering pop empires like BTS and BLACKPINK, Hwang’s guitar-based songwriting is as radical as the title implies. ABOUT … Rather than muddling her meaning, this single instrument’s ambiguity—of feeling, timbre, gender, even species—suggests a state of perpetual transformation. Alive with the kind of freedom that 2020 mostly failed to deliver, Lipa’s vision of future-pop pairs classic themes of love with enough hope to carry us to a new year. Hopefully, like Chloe x Halle, we reemerge into the real world, elegantly transformed by what happened in the wee hours of the morning. Ungodly Hour is a collection of low-key tracks that demonstrated true mastery of their intricate harmonies over slinky, charismatic production. Much like Sufjan Stevens in the songs of Carrie & Lowell, Allison ventures into the tundra of her despair and emerges with an unsparing and unsentimental account of survival. Sunday classic album reviews are excluded, as are big artist retrospectives and mass reissues (I'm looking at you, Talking Heads, The Zombies, Iggy Pop, Dire Straits, Sade and … ), “Genres keep us in our boxes,” Bartees Strange sing-raps on “Mossblerd,” a song that sounds like it’s falling apart even as he’s putting it together. To the casual listener, Beatrice Dillon’s avant electronic tracks might seem austere. Ad Choices. Slap bass intrudes, his gnomic utterances fold in on themselves, and his clenched voice disappears completely amid ambient guitar and unholy noise. –Jeremy D. Larson, The second album of soulful Americana from North Carolina songwriter H.C. McEntire begins with an early morning prayer and ends with a slow-burn Led Zeppelin cover. Jay’s lines are clever and self-reflective, and his references are evergreen: “Fuck Bill O’Reilly and Rudy Giuliani,” he passionately raps on “New Illuminati.” It’s rewarding to be swept up in his aura, and to feel the magnitude of every strategically placed interlude, every space where the beat rides endlessly, and every roughly mixed verse. Frontperson Alli Logout’s jagged vocals dissect poverty, love, and commodified dissent, making The Passion Of the rare contemporary punk album that is actually as revolutionary as it sets out to be. Alfredo is a collaborative studio album by American rapper Freddie Gibbs and American hip hop producer The Alchemist.It was released on May 29, 2020, through Gibbs' own record label ESGN Records, as well as ALC Records and Empire Distribution.. Run the Jewels: RTJ4 15. –Quinn Moreland, Jean-Sebastian Audet understands that drifting is sometimes the best way forward. One minute, he is at peace, nearly succumbing to whatever comes next; the next, he is spoiling for a fight, ready to wrestle death to the mat one last time. Frontperson Alli Logout’s jagged vocals dissect poverty, love, and commodified dissent, making The Passion Of the rare contemporary punk album that is actually as revolutionary as it sets out to be. Traditional Techniques, a lush folk-rock album with a title that winks at Adorno, offers a new angle on his semi-inscrutable charm. Descendants of Cain’s frosty tone evaporates in its final minutes: “I Love (Mimi, Moms, Kev)” is Ka’s dedication to the people who saved him. Best of 2020: The Year's Best Albums; Best of 2020: Top Debut Albums; More articles » Highs and Lows. After a decade as one of the most revered bands in their genre, the L.A. group recorded Lament with heavy music legend Ross Robinson and an abundance of songwriting ambition. Rough and Rowdy Ways is the 39th studio album by American singer-songwriter Bob Dylan, released on June 19, 2020 by Columbia Records.It is Dylan's first album of original songs since his 2012 album Tempest, following three releases, one a triple album, that covered traditional pop standards.. Girls on the Absurdist Meme, Anti-Colonial History, and Soul Records That Inspired, Phil Elverum on the Song He Wishes He Wrote, A Day in the Life of Bad Bunny, Introverted Superstar, Jessie Ware Explains Why This Smoldering Alicia Keys Ballad Is Her Personal Anthem, Phoebe Bridgers on the 10 Things That Influenced, Moses Sumney Is Ready to Claim His Spotlight, Fiona Apple on How She Broke Free and Made the Album of the Year. Atlantic 50. They’d been playing together informally for awhile, and they decided to make an album only after some encouragement from the late David Berman, who’d witnessed Plunkett and Kotzur’s earliest practices as a duo. Home; News; Reviews; Best … The Microphones: Microphones in 2020 … –Andy Cush, A band’s impact shouldn’t be hypothetical, but here’s Dogleg, the debutants of Michigan emo, whose breakout year mostly took place in the imagination. His nostalgia for reggaetón’s mixtape-era reaches its peak on “Safaera,” a crowning jewel of a record featuring elder statesmen Jowell & Randy and Ñengo Flow, with Bad Bunny’s subterranean voice bridging the past and present. The Latest Juice December 31, 2020 December 31, 2020. –Marc Hogan, Ironically, Kevin Parker became one of today’s most influential rock stars by sidelining the scruffy guitar riffs of early Tame Impala records. By now, Drakeo has been released from jail, making GTL a testament to resourcefulness that will hopefully remain an anomaly in his catalog. Throughout Hannah, her fifth album as Lomelda, her expressive warble blooms and shrinks into strange and beautiful phrasings, heightening their meaning. On his first collection of original material in eight years, he sounds unusually attuned to the suggestive power of his craggy instrument, using small changes of inflection to convey wry self-mockery, roaring prowess, and a certain uneasy nostalgia.